The Sessions Clock Company
The Sessions Clock Company ("Sessions") was one of several notable American clock companies centered in Connecticut. The E Ingraham Clock Company, the New Haven Clock Company, the Seth Thomas Clock Company, Sessions and its predecessor E.N. Welch Company, and the Waterbury Clock Company collectively produced most of the mechanical clocks made in America between the early 19th century and 1950.
At the turn of the 20th century, the E. N. Welch clock-making firm was struggling. They used a local foundry to produce their castings. The foundry owner's son, William E. Sessions, took an interest in horology and, along with other Sessions family members, bought controlling interest in the E. N. Welch Company. In 1903, the firm’s name was changed and the Sessions Clock Company was organized. Under William's management, the firm produced all components of their line of clocks, including movements, cases, dials, artwork and castings.
Between 1903 and 1933, Sessions produced 52 models of mechanical clocks, ranging from Advertisers, large and small clocks with logos of various businesses, to wall, or regulator clocks, and shelf or mantle clocks, designed for the home. Many of the Session clocks from this period are prized by collectors.
In 1930, the company expanded to produce electric clocks and timers for radios, while continuing to produce traditional brass mechanical movements. Beginning at the end of World War II, Sessions "W" Model (electric) was widely used by various casting companies for their clocks. The dial of the "W" Model read "Movement by Sessions". In the early 1950s, Sessions began to produce timers for television.
In 1956, Sessions was absorbed by a company interested mainly in their timing devices. In 1959, William K. Sessions, grandson of William E. Sessions left the Sessions Clock Company and formed the New England Clock Company. In 1960, one of the Sessions Clock buildings was sold to the Bristol Instrument Gears Company.
Kept as the Sessions Company, the new owners ran the operation until 1969 when changes in the market forced the Sessions Company into liquidation. In 1970, the remaining buildings were sold to Dabko Industries, a machine parts manufacturer.
At the turn of the 20th century, the E. N. Welch clock-making firm was struggling. They used a local foundry to produce their castings. The foundry owner's son, William E. Sessions, took an interest in horology and, along with other Sessions family members, bought controlling interest in the E. N. Welch Company. In 1903, the firm’s name was changed and the Sessions Clock Company was organized. Under William's management, the firm produced all components of their line of clocks, including movements, cases, dials, artwork and castings.
Between 1903 and 1933, Sessions produced 52 models of mechanical clocks, ranging from Advertisers, large and small clocks with logos of various businesses, to wall, or regulator clocks, and shelf or mantle clocks, designed for the home. Many of the Session clocks from this period are prized by collectors.
In 1930, the company expanded to produce electric clocks and timers for radios, while continuing to produce traditional brass mechanical movements. Beginning at the end of World War II, Sessions "W" Model (electric) was widely used by various casting companies for their clocks. The dial of the "W" Model read "Movement by Sessions". In the early 1950s, Sessions began to produce timers for television.
In 1956, Sessions was absorbed by a company interested mainly in their timing devices. In 1959, William K. Sessions, grandson of William E. Sessions left the Sessions Clock Company and formed the New England Clock Company. In 1960, one of the Sessions Clock buildings was sold to the Bristol Instrument Gears Company.
Kept as the Sessions Company, the new owners ran the operation until 1969 when changes in the market forced the Sessions Company into liquidation. In 1970, the remaining buildings were sold to Dabko Industries, a machine parts manufacturer.
Some common Sessions clock models
Black Mantle
A staple of American production from the 1850’s to the 1920’s was the black mantle clock. These clocks typically had a size of about 12 inches high, 16 inches wide, and 7 inches deep. Many of the clock cases were made of wood and painted with the glossy black enamel paint, according a process invented and patented by Edward Ingraham. The dial was centered in the clock case and most black mantle clocks had two key-wind openings, one for the time and one for strike.
Kitchen
Kitchen clocks started life in the parlor but, when fashion trends changed, many were moved back in the house to the kitchen. Clock companies caught on to the new use and marketed the remainder of their stock as "kitchen" clocks, which they have been known as ever since.
Gallery
Large Gallery clocks were designed for public spaces. Mission
Mission-style furniture was popular in North America and Great Britain beginning in about 1890 until about 1914. The style was a product of the Arts and Crafts movement, and the designs were simple and rustic. Tambour
The Tambour remains a popular style today.
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Advertising
Sessions large advertising clocks are highly sought after by collectors. Cottage
Cottage clocks were the inexpensive clocks of their day, designed for the mantle of those of humble means. Typically time-only, some also struck the hour, or were equipped with alarm mechanisms. Miniature Pillar
Sessions variation of the pillar and scroll clock. Calendar
The calendar hand was first introduced in England in 1660 and was popular in wall regulators in the latter half of the 19th century in the U.S.A. Banjo
Banjo clocks have the honor of being the first American-made wall clock. They were developed in the late 1790's and patented in the early 1800's.
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